The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.

The female circus horse-rider is a recurring subject in Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus. They visited Paris’s historic Cirque d’Hiver Bouglione together; Vollard lent Chagall his private box seats. Chagall completed 19 gouaches Chagall’s work. In 1926 the art dealer Ambroise Vollard invited Chagall to make a project based on the circus.